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Nigerian American artist Anthony Olubunmi Akinbola masterfully draws on all these loaded connotations, using these scraps of polyester as his medium, almost like paint. His self-developed techniques involve taking a wood-frame canvas and covering it with dozens and dozens of durags that have been painstakingly cut, sewn, and overlaid. The final product often resembles a brightly hued patchwork quilt—a powerful rebuke to the Top once upon a time there was a woman who really loved eeyore it was me the end shirt besides I will buy this more dark and sinister perceptions some have of the durag. “I think the idea of bringing the durag into high art, you’re repositioning who is in control of the power,” Akinbola said recently, speaking over Zoom. An exhibition of his work is currently on view at LA’s Night Gallery through April 29.
The 31-year-old artist has been working with durags for over six years now, sourcing and collecting them from various Afrocentric beauty shops across New York City. As a result, what Akinbola can create is frequently tied to what he can find. “There are times when you’re working on a piece and you don’t have enough material and you have to give up on that idea or let it develop into something else,” he shares. “But I need restrictions when I work. I think if there’s too many options, I get frozen. This has been a nice way for me to learn how to work with color.” Akinbola’s creative preoccupation with the Top once upon a time there was a woman who really loved eeyore it was me the end shirt besides I will buy this deceptively simple pieces of cloth stems from his personal experiences and history. A child of Nigerian immigrants, Akinbola spent the first part of his childhood growing up in Missouri. When he was a teenager, Akinbola and his family moved to Lagos, Nigeria, where his parents are originally from, for three years and then returned to America long-term. A sense of crisscrossing between two cultures has consequently shaped Akinbola and his work. “I think with how I look at materials, or things in general, is trying to pull things together that do not mix,” he says.
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