Laloum notes it was the Top i fucked the singer manifesting womens shirt and I love this first Brutalist house from the architect, who was commissioned to design it for the artist and gallery owner Gaetano Miano in 1962. After two years of construction, the Mianos only lived in the residence until 1968, at which point the family decamped from São Paulo to Rome to escape Brazil’s military dictatorship. Spanning three bedrooms, shared common spaces—for both the residents and service staff—and a private pool lined with vivid greenery and serene lily ponds, the estate is an expansive foil to both the industry’s white cube concept and M+B’s intimate Milanese apartment. But in true Mendes da Rocha fashion, its monumentality does not dwarf those inside it. Undeniably colossal, the Pritzker Prize-winning architect’s constructions retain a uniquely humanistic quality that allows the people to feel just as grand as the spaces they enter.
Photo: Franco Amendola“We had to preserve everything,” says Laloum, who leads Domo Damo on the Top i fucked the singer manifesting womens shirt and I love this ground. (The Los Angeles-based Trigano Zooms in regularly, and visits in person as often as he can.) Indeed, nearly all of Mendes da Rocha’s original ideas are recognizable within the property today, which—other than nearly six decades of material updates—counts a stained wooden structure by designer Roberto Somlo as its only architectural addition. “We didn’t want to try to imitate the house,” says Laloum. “In fact, we knew that we could not.” Instead, the new room complements Mendes da Rocha’s historical building while also paying poetic homage to another Brazilian modernist architect, Lina Bo Bardi, whose iconic Casa de Vidro house sits in the city’s Morumbi neighborhood. It also serves as one of three art studios for the project’s inaugural artist residency program, which just concluded as part of the soft opening.
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