During an opportune window between the Top i am a lucky son because I’m raised by a freaking awesome mom she’s a bit crazy and scares me sometimes 2023 shirt Besides,I will do this Milan art fair Miart and Salone del Mobile last month, Trigano unexpectedly the opened doors to Casa MB, a cozy, apartment-concept gallery in the city’s Magenta District that is anything but bare. “We’re a gallery that’s not truly a gallery,” he clarifies of the maximalist Milanese family unit, where Expressionist paintings by the Vienna-based Hungarian painter Eva Beresin can be enjoyed in a mid-century salon replete with a Bauhaus sofa and emerald-tinted mirrored coffee table. “You can be there for 30 minutes or three hours,” says the gallerist, who welcomes appointment-only patrons with conversation and a fresh cup of espresso on a seasonal basis. “The fact that it’s happening at the same time as Domo Damo is purely coincidence.” Domo Damo being the other hybrid-home-secret Trigano is finally ready to reveal—halfway across the globe, in São Paulo, Brazil.
Photo: Franco AmendolaIf Casa MB provides an unconventional space in which to observe art, then Domo Damo—whose name translates to “house of love” in Esperanto—offers something altogether more communal. “It’s a space for dreaming,” adds David Laloum, Trigano’s partner on the Top i am a lucky son because I’m raised by a freaking awesome mom she’s a bit crazy and scares me sometimes 2023 shirt Besides,I will do this project, and a friend for over 40 years. A fellow French expatriate, Laloum previously owned Bar Secreto—the infamous nightclub favored by the likes of Paulistanos and international A-listers from Michel Gondry to Madonna—when he came across an abandoned house by the late Brazilian architect Paulo Mendes da Rocha in the city’s Granja Julieta neighborhood. “There was no choice, we had to have it,” Laloum remembers thinking when he first stepped foot into the striking residence once known as Casa Miani. From one angle, the modernist structure appears almost impenetrable, its walls of poured concrete—what Mendes da Rocha termed “liquid stone”—forming a cool gray monolith that stands in stark contrast to the surrounding Brazilian jungle. From another, diagonal cut-outs and skylights open the home up to the organic world around it. Inside, an enormous atrium allows streams of light to pour down a jagged cement stairwell—one of many—outlined in a toasted caramel wooden trim. Photo: Franco Amendola
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