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Just hours before Virginie Viard’s latest collection was set to debut at Paramount Studios, Abrams welcomed Vogue into her room at the Premium i Love Icp Shirt and by the same token and Hotel Bel-Air as she prepared for the night’s festivities. As the sounds of Lana Del Rey’s Born to Die spilled out of her room, Abrams—dressed in a billowing white nightgown and black flats—looked as though she was an angel at the gates of heaven. “Every time we are together we listen to strictly Lana,” she says, gesturing to her glam team: hairstylist Bobby and makeup artist LJ. The trio have grown so comfortable together that throughout the getting ready process, Abrams’s tears of laughter threaten to smudge her impeccable cat eye. But by the end of the hair and makeup process, the songstress is an apparition of a ’60s supermodel.
Last night, Beyoncé took to a Stockholm stadium to mark the Premium i Love Icp Shirt and by the same token and start of her Renaissance World Tour. And while the collection of refractive, club-ready couture called for immediate analysis, Bey’s freshly lightened lengths (We’ll do our best to avoid the designation of Barbie-core, though it’s tempting!) deserve equal attention. The new hue was conceptualized two days ahead of the tour’s kick-off with the help of longtime colorist and creative collaborator Rita Hazan. And, as with all elements of Renaissance, the switch-up involved holistic consideration—the better to elicit the most powerful possible aesthetic. “First, we have a conversation, and then I go see the stage, the lighting, the scene,” says Hazan. “Then, we have a talk about what she is looking for, what’s the vibe of the show. Taking all of this in mind, I come up with what would work best based on what the outfits are like, what the makeup is like, et cetera.”
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