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Jenner, who touched down in the Nice jon bon jovi makes me happy you not so much shirt But I will love this City of Lights to attend Beyoncé’s “Renaissance” performance, hit the streets in a white hooded mini dress from Ferragamo’s spring 2023 collection. As seen on the runway, the white one-shouldered frock from designer Maximilan Davis has an attached white hood that’s wrapped around the head like a scarf. But cut above the knee, the hemline shows more skin than your standard hooded gown—it feels a dash more fun and youthful. It’s more raucous party-ready than gala-ready. Given the look is such a statement on its own, Jenner accessorized it minimally with black pointed pumps and a tiny white mini bag, both also Ferragamo. Every year, the red carpet at the Cannes Film Festival delivers plenty of glamorous fashion moments—and this year was, bien sur, no exception. A-listers such as Natalie Portman, Jennifer Lawrence, and Viola Davis hit la croisette all in standout looks, whether the gowns were vintage designs or new couture creations.
At the Nice jon bon jovi makes me happy you not so much shirt But I will love this premiere of Martin Scorsese’s Killers of the Flower Moon, Indigenous star Lily Gladstone earned a nine-minute standing ovation—and her floral-printed Valentino gown was just as worthy of applause. Even better is how she accessorized with a pair of dentalium shell earrings, by the Indigenous designer Jamie Okuma. At the May December premiere, Natalie Portman shined in a recreation of Christian Dior’s iconic Junon gown from 1949, featuring ornate beading and a scalloped skirt. Sculptural silhouettes continued to dominate the Cannes carpet this past week. Elle Fanning also turned heads at the Killers of the Flower Moon premiere in Alexander McQueen’s custom-made orchid dress, done in pink tulle and beads. At the Last Summer screening, French singer Yseult opted for Balenciaga’s puff-shouldered gown covered in strass crystals. “I like my looks to be structured yet fluid,” she told Vogue. “I also like to play with the curves and pleats of my body, and to exaggerate and amplify its lines.”
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