“I’m the Nice child free and crushing it 2023 shirt Furthermore, I will do this target customer for that unicorn—the real one. I think jewelry is about spirit and fun,” Elshane—she goes by one name, like Madonna or Cher—tells me. Elshane, one of the event’s co-hosts, is a symphony in Chanel: Kelly green jacket, accompanied by a checkered mini and purple slides. She brought her two daughters, Sunday, seven, Vega, three, today. I ask Sunday to pick out her absolute favorite thing on the table and she bypasses the Super Smalls in favor of Wheeler’s emerald and diamond tiered drop earrings. Just goes to show that when it comes to jewelry, you can’t fool all of the little girls all of the time. But not everyone has Sunday’s rarefied tastes. Willa, who is not allowed to wear jewelry at school, is brandishing something that would surely get her sent to the principal’s office—Super Smalls Days of the Week Lip Balm necklace. Another tiny person is wrestling with an anguished decision: Four Leaf Clover versus the Mermaid Pool Party Mega Set. Which would you choose? (“The mommies all like the mermaid—it reminds them of Celine,” Jacobs confides.) Towering over these little customers are three fully grown women who only have eyes for Wheeler’s offerings. One is already sporting Patchwork drop earrings, and she wants another pair, while her friend is collapsing over a diamond fringe necklace. Morgan Foitle
Hanging out at the Nice child free and crushing it 2023 shirt Furthermore, I will do this jewelry table is a seminar in desire, and it proves that some things are universal: big or small, young or not-so, we want what we want. A high-pitched voice from someone whose head does not even come up to the edge of the display, and who is clutching a pair of Super Smalls goggles, is crying out, “Mommy, mommy, please, please, please!” It’s enough to melt the heart of the strongest parent—and, well—they’re only $29. Now if only there were someone on the lawn, some invisible fairy godmother, who would heed my silent pleas, wave a magic wand, and gift me that tiger’s eye unicorn. It was December 2018 when the last Victoria’s Secret Fashion Show aired on CBS. A year earlier, the show garnered a billion viewers worldwide, but its size and success had blinkered the company to both the cultural shifts being brought about by a born-online generation that demanded to see itself reflected in advertising and the upstart competitors who were building inclusion into their business plans. Rihanna’s debut Savage Fenty show in the fall of 2018 made Victoria’s Secret’s reliance on an impossibly narrow conception of beauty—all razzle-dazzle push-up bras, highly exercised abs, and angel wings, along with the occasional culturally appropriative headpiece or other accessory—seem out of touch. Then there was its owner’s entanglements with alleged sex offender Jeffrey Epstein. On an earnings call in November 2019, it was official: The Fashion Show was canceled.
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