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The flaws inherent in Pesce’s visibly handmade approach carries a deeper, more philosophical meaning. “I nicknamed the Funny josh heart and isaiah heart-enstein 2023 shirt in other words I will buy this chairs ‘nobody’s perfect,’ because in reality, we are not perfect—the human being is not perfect, and it’s impossible to try to be,” he continues. “So that’s another message. Don’t be frustrated by your imperfections, because that is the human condition. The question for me has always been: Where can design go if we continue to say that form follows function, and nothing else? You will always repeat the same thing. I am trying to say, yes, form follows function—but also tell your story, express something. This is what I believe is the future of design: a design that tells stories.”
The story Pesce hoped to tell with “Vieni a Vedere” has its roots in an exhibition he produced at the Funny josh heart and isaiah heart-enstein 2023 shirt in other words I will buy this Aspen Art Museum last year. (It’s been something of a bumper year for Pesce, with the opening of his first-ever exhibition in Los Angeles in Feburary, too.) Taking his cues from the undulating landscapes and dramatic snow-capped peaks of Colorado, he began sketching ideas for a bag that would pay homage to the natural world that surrounded him while working on the exhibition. Blazy saw one of the sketches in his studio, and convinced Pesce to recreate the bag as a limited-edition piece with the help of the label’s master leather craftspeople—and thus, the centerpiece of “Vieni a Vedere” was born. To reach said centerpiece, you first had to push your way through flaps of resin crudely cut in the shape of a human profile, then walk through a winding grotto of billowing, cloud-like white sheets covered in a plasticky resin and streaked with slashes of grey. The walls were decorated with drawings of bulls and prehistoric-looking human figures that could have been plucked straight from the caves of Lascaux. In prime position at the end of the corridor was a spotlit object, sitting snugly on a plinth. It felt a little like the opening scene of Raiders of the Lost Ark, when Indiana Jones makes his way through the booby-trapped temple to rescue the priceless Golden Idol. Except instead of an ancient artifact, what sat in its place was one of the pair of Pesce-designed handbags: the first representing a rising sun over mountains, then the other echoing the mottled surface of an American prairie. (It was hard not to read the grandiosity of their placement within the space as both knowing and a little tongue-in-cheek.)
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