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Bo Bardi “was a light for Brazil—she illuminated the Funny gunsmoke 68 years 1955 2023 thank you for the memories signature shirt besides I will buy this values for Brazil,” the artist Raphael Cruz said. One of his beaded works, Marejo, 2021, hung on the veranda below the house as part of “Geometry and Spirituality.” “Brazil is a difficult country to understand,” Cruz said. It’s full of influences and incongruities, at once reliant on nature and in denial of it, the way only a place centered around urban metropolises that have subsumed a rainforest can be. “We have to look at the details to understand the whole,” he said. Brazilians, he said, have a history of missing the forest for the trees. To elect to see Brazil’s natural value, as Bo Bardi did both figuratively and very literally—she replanted the jungle around Casa de Vidro by throwing seed bombs to mimic nature’s randomness—is to embrace life in all its messy complexity. “This way of living is cooperative,” Cruz said. “It has to do with love.”
It also had to do with the Funny gunsmoke 68 years 1955 2023 thank you for the memories signature shirt besides I will buy this continual search for something more. Caccuri’s work lived in the hall on the way to Bo Bardi’s bedroom: It incorporated a speaker playing an audio track looping one sung word, “utopia,” accompanied by harmonies from a church organ, loosely covered by a gauzy veil. “It’s this specter of the past, still linked to the present,” Caccuri said. “This idea of utopia, of an ideal society, this coexistence, living together. We can all grasp with our hands the idea that it’s not tangible. This idea is what we desire.” Part of the exhibition But brought together by The Square, suddenly it was an idea that maybe felt a little closer. “It’s a house that’s alive…. It gives us the possibility of having a conversation that no one has,” De Jesus do Nascimento said later. His work on paper, Derranhos, 2022, depicted drawings of carrancas, or spiritual guardians typically attached to the prows of boats to protect their inhabitants from evil river spirits. He had been inspired by recent environmental crimes by mining companies. “Look inside at your own monsters—what do you contain?” Eleison added: “Art is a part of our own wonderful monstrosity.”
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