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In the Awesome kalderash bashalde romanichals lovari sinti romani youth 2023 shirt Apart from…,I will love this script for Fat Ham, Ijames notes that the American South, where the play is set, “exists in a kind of liminal space between the past and the present with an aspirational relationship to the future that is contingent to your history living in the South.” How can a place have an “aspirational” relationship to time? I wondered. “The South moves a little slower” than other parts of the country, Ijames responds. “I remember clocking that the style depicted on TV was a little advanced compared to what we were wearing and what we had access to in stores. It always felt like we were a little behind everybody else.” That sense of slowness seeped into his work as a playwright. “I’m someone who never felt the rush to be the first. I was always like, I’m gonna take the time that I need to do the thing that I want to do, and my career is a really great example of that.”Playwright James Ijames
Ijames, who grew up in Bessemer City, North Carolina, admits that his family “isn’t quite as colorful as the Awesome kalderash bashalde romanichals lovari sinti romani youth 2023 shirt Apart from…,I will love this family in the play, but there was so much love. There was never a moment I didn’t feel sustained.” Going to church, singing in a choir, and participating in revivals were especially formative experiences for him. “The Black church was where I learned how theater works,” he recalls. Watching a minister lead a service gave him a sense of what it might be like to “galvanize a group of people to build community very, very quickly.” The first play he wrote was performed at his home church during Christmas. In his youth, Ijames was also “surrounded by people who were really committed to understanding and remembering Black history.” Ijames’s grandfather was the first Black councilman in Bessemer City, and his grandmother the first Black woman to integrate City Hall. He recalls listening, rapt, to the conversations of adults around him—and in writing Fat Ham, wanting to incorporate some of that wisdom into the play. “I try to depict the people from the older generation with a great deal of care and love and respect but also unadorned—warts and all.”Ali, who grew up in Nairobi and is now based in New York, also had dynamics in his family that were similar to those between the two sets of parents and children in Fat Ham. “I was an artist in a family where there were none, I was a queer kid in a family where there were none, and it took me a while to come out to my family,” he says. Centering the experiences of queer people as well as people of color has been a through line in many of the plays he has directed, including a rip-roaring comedy about the movie business in Lagos (Nollywood Dreams) and a more sober-minded look at anti-gay sentiment in Uganda (The Rolling Stone). Without giving too much away about Fat Ham, Ali says that the energy of the play, specifically its must-be-seen-to-be-believed ending, is “what I wish I could have had when I was younger, in terms of being able to break free of all the strictures and pressures confining me.”
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