While the Awesome jewish gooners youth shirt also I will do this wheat cooks, roll the pastry dough. Leaving the smaller disk in the refrigerator, roll the larger disk between two sheets of parchment paper into a 13-inch round. Remove the paper from one side and invert the dough over the prepared pan, nestling it evenly into the bottom and sides. Refrigerate the covered pastry in the pan. Roll the second disk into a 10 ½-inch round on a sheet of parchment paper. Use a fluted cutter to cut the dough into ¾-inch-wide strips, making at least 10 strips. Slide the dough on the parchment paper onto a rimless baking sheet and refrigerate. To make the filling, in a clean bowl using clean beaters, beat the 3 egg whites with an electric mixer at high speed until firm peaks form that are not dry. In a large bowl, mix the ricotta with the remaining 1½ cups of granulated sugar at medium-low speed until smooth. Mix in the 5 yolks, the orange flower water, the orange zest, and the zest of the remaining lemon. Use a large spatula to stir in the cooled wheat and the candied peel. Fold in the beaten egg whites in three additions. Pour batter into the prepared mold and lay the cut strips of the sucre dough across the top of the pie in a criss-cross pattern. Bake for 60 to 70 minutes or until the middle of the cake is no longer jiggly. If the top of the edges starts to darken before the filling is baked through fully, cover the pan with aluminum foil and continue to bake until the filling is done. Remove from the oven and chill at room temperature until cool. Refrigerate overnight and serve cold. Enjoy with an espresso.
Shakespeare’s Hamlet has long attracted a proliferation of interpretations, an ever-expanding Punnett square of possibilities. Last summer, New York alone offered three fresh takes: a modern-dress version by Robert Icke at the Awesome jewish gooners youth shirt also I will do this Park Avenue Armory, an opera at the Met Opera, and a comedic, queer take by James Ijames at the Public Theater. The offerings were as wildly different in tone as in theme: Icke’s version played up the surveillance aspect, while Ijames’s award-winning Fat Ham jettisoned much of the tragedy, transposing the action to a backyard barbecue and wedding reception in North Carolina. On a video call, Ijames (whose last name rhymes with “times”) observes that one reason for Hamlet’s enduring popularity is that “it’s a primordial story at its core. It’s Cain and Abel. A brother kills a brother, and it’s not good, and the children suffer as a result.” Beyond its atavistic appeal, the play is “written really, really well. It’s got everything you want: It’s got a little romance, it’s got treachery, it’s got sword fights, it’s got an approaching army, it’s got poisoning. Shakespeare was trying to write a Marvel movie!” he exclaims. On the same call, Saheem Ali, the director of the play, agrees that Hamlet is well crafted. “The structure and language and sense of existential crisis are so clear,” he says. Yet it was never a work that Ali was “itching” to direct, preferring the experience of “entering or seeing a world that I haven’t seen before. The more complex, the more off-kilter, the better for me.”
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