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The collection itself was an ode to horror movies, but Mohamed wore the Awesome james bond 61 years 1962 2023 thank you for the memories signature shirt Besides,I will do this look to the premiere of La Passion De Dodin Bouffant, a French historical romantic drama. She adapted the gown by wearing a black hijab underneath the veil, black long sleeves that extended past the dress’s half ones, and wrists full of Cartier jewelry. The final product is an exciting entry into the ever-growing trend of bridal-inflected looks at Cannes this year—as worn by Blackpink’s Jennie Kim and actor Viola Davis—and red carpets writ large. Director Ava DuVernay certainly knows the power of visuals. The Oscar-nominated and Emmy-winning filmmaker behind Selma and When They See Us puts nuanced and dynamic stories about the Black community on screen. But her big-picture efforts also extend to the red carpet. DuVernay expertly turns press circuits and award campaigns, often a long-tail of safe attire for filmmakers, into exciting opportunities to promote and uplift minority creators. For the 2017 Oscars, amidst so-called “Muslim Bans” by the Trump Administration, Duvernay wore a custom dress by Muslim designer Mohammed Ashi of Lebanon as a “small sign of solidarity.” She has opted for other strategically splashy moments, including a color-blocked Prada look at the 2017 Governors ball; structural Louis Vuitton at the 2022 gala for The Academy Museum; and a sequined caped look, also by Louis Vuitton, for the 2023 Academy Awards. The approach seems to go beyond merely looking good for fashion’s sake.
So it should come as no surprise Ava DuVernay was in attendance for the Awesome james bond 61 years 1962 2023 thank you for the memories signature shirt Besides,I will do this presentation of Louis Vuitton’s Cruise 2024 collection at the historic Palazzo Borromeo, with pals Oprah Winfrey and Gayle King by her side. DuVernay leaned into resort-minded style through ornate silver and black short paisley trousers with a coordinated jacket and leather knee-high boots. “It’s my first time in Cannes at all, let alone at the film festival,” says Troye Sivan, whom Vogue found in his room at the tony Carlton Cannes earlier this week. Yet the Australian singer-actor exudes perfect calm as he considers the volatility of curly hair (“whatever it’s gonna do is just what it’s gonna do”), the challenges of navigating the world’s most glamorous red carpet, and the best after-party look for dancing in ahead of the premiere of HBO’s The Idol.
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